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Essaying Shakespeare
Karen Newman
University of Minnesota Press, 2009

A pioneering scholar of Shakespeare and early modern letters provides an overview of work in the field

For more than twenty-five years, Karen Newman has brought her critical acumen to bear on early modern studies. In this collection of her essays on Shakespeare—some acknowledged classics and others never before published—Newman shows how changing theoretical trends have shaped Shakespeare studies, from new historicism and gender studies to critical race studies and globalization.

Central to Newman’s work is social exchange, or the circulation of people and objects. At least two of these essays have had a powerful and lasting impact on Shakespeare studies: “Renaissance Family Politics and Shakespeare’s The Taming of the Shrew” and “‘And wash the Ethiop White’: Femininity and the Monstrous in Othello.” Three essays appear in print for the first time: an examination of clothing of the poor and the portrayal of the king as a beggar in Richard II; a stinging review of Harold Bloom’s book Shakespeare: The Invention of the Human; and a rethinking of claims about the globalization of culture and cultural translation.Essaying Shakespeare chronicles Newman’s own critical development to provide a significant map of critical work on Shakespeare.
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front cover of Fashioning Femininity and English Renaissance Drama
Fashioning Femininity and English Renaissance Drama
Karen Newman
University of Chicago Press, 1991
By examining representations of women on stage and in the many printed materials aimed at them, Karen Newman shows how female subjectivity—both the construction of the gendered subject and the ideology of women's subjection to men—was fashioned in Elizabethan and Jacobean England. Her emphasis is not on "women" so much as on the category of "femininity" as deployed in the late sixteenth and early seventeenth centuries.

Through the critical lens of poststructuralism, Newman reads anatomies, conduct and domesticity handbooks, sermons, homilies, ballads, and court cases to delineate the ideologies of femininity they represented and produced. Arguing that drama, as spectacle, provides a peculiarly useful locus for analyzing the management of femininity, Newman considers the culture of early modern London to reveal how female subjectivity was fashioned and staged in the plays of Shakespeare, Jonson, and others.
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front cover of The Story of Sapho
The Story of Sapho
Madeleine de Scudery
University of Chicago Press, 2003
Ridiculed for her Saturday salon, her long romance novels, and her protofeminist ideas, Madeleine de Scudéry (1607-1701) has not been treated kindly by the literary establishment. Yet her multivolume novels were popular bestsellers in her time, translated almost immediately into English, German, Italian, Spanish, and even Arabic.

The Story of Sapho makes available for the first time in modern English a self-contained section from Scudéry's novel Artamène ou le Grand Cyrus, best known today as the favored reading material of the would-be salonnières that Molière satirized in Les précieuses ridicules. The Story tells of Sapho, a woman writer modeled on the Greek Sappho, who deems marriage slavery. Interspersed in the love story of Sapho and Phaon are a series of conversations like those that took place in Scudéry's own salon in which Sapho and her circle discuss the nature of love, the education of women, writing, and right conduct. This edition also includes a translation of an oration, or harangue, of Scudéry's in which Sapho extols the talents and abilities of women in order to persuade them to write.


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